Matt Mahony-Page
Selected Descent D
2019
Performed live in the event 'Brick & Mortar' part of Strange Love festival, Brewery Tap Project Space, Folkestone.
Soil, saliva, duct tape and wooden plank.
Small acts of spitting and churning making way for a final action.
Legs bound, fall embraced.
Photographs by Josh Jordan
Untitled
2018
Performed to a live audience, Orbyhus, Sweden part of REVOLVE festival Performance Art Days
Building up and forward towards an intended backwards descent, resulting in structural collapse and eventual residue which was held for a period of time in through stillness
Photographs by Marcel Van Helvoort
Engine Oil and Brick Fragments
2018
Performed live to camera, London.
Brick fragments & Engine Oil
Body and face to the floor, moving forward.
Self built intimacy between artist and chosen material. As a result of this, leaving residue on the body and floor as not only evidence but a measurement of the physical process.
Photographs by Nigel Rolfe
tree, rope, blade
2018
Performed to camera through self constructed setup, Folkestone, Kent Landscape.
Interference of rope through hacking, resulting in voluntary descent.
stool, rope, car
2018
Performed to camera, on a country lane, Kent UK.
Stool leg forcibly removed through use of a car that exists outside of the frame.
Filmed by Joel Snowman
Grunt
2018
Collaboration with artist Ashley-Louise Mcnaughton.
Performed to camera, overlooking the channel, Dover, Kent UK.
Extension of previous action through collaboration.
Hessian rope
Filmed by Joel Snowman
Untitled
2017
Performed in the live event 'Here I am there you are', part of Art Licks weekend, London.
Soot, tongue and chalk
Photographs by Ray Ren
Untitled
2017
Performed during live a situation, workshop, London
Pub type stool, wonky leg, rope, brick, brick dust
Photographs by Gustaf Broms & Nigel Rolfe
Selected Descent B
2017
Chosen, temporary support. Discarded when needed.
Performed to camera, existing as a document.
Selected Descent A
2017
Performed in the live event S P I T T I N G D I S T A N C E
Cow-matter and turf, explored and held silently at floor level.
Photographs by Josh Jordan Photography
Untitled
2017
Performed in the live event 'Tobo Performance konst', Sweden.
Gravel and earth laid out, forming desired route. Repeated, back and fourth.
Photographs by Gustaf Broms
Dolly
2017
Performed in the live event '5 Minutes of your Time', Test-bed 1, London
A dolly and myself, from Kent to London
Photographs by Yi-Jung Lee
Falling Board
2017
Performed in the live event 'Work in Progress', London
Wooden board, carried and painted
Photographs by Nigel Rolfe
Rope Run C
2017
One of three rope runs, presented as a live work.
Found material & objects.
Ongoing series, adapting and reoccurring in and around different spaces, events and situations.
Filmed by Ada Hao
Telegraph Pole
2016
Telegraph Pole, a failed durational work.
Essentially now existing as a series of performed photographs.
Untitled
2016
Existing as a photo sequence and/or low-res video captures a brief but inevitable descent down a hill of no particular interest.
Pot hole
2015
The short video 'Pot hole' utilizes an exhausted road space. By exhausted I mean;
A pot hole is truly exhausted in the sense they seem to serve nothing more than a potential threat. They are unwanted, the only value associated with them seem to be faith in solution from a community or individual.
Human routine is excercised however divorced from a 'usual' setting.
'Pot hole' (Preview)- 2015
Runtime: 00:01:27
Dimensions: 1920 x 1080
I would prefer not to
2015
'I would prefer not to', is excercised through an oddity with in a Kent landscape.
A degree of task performing is carried out but with enevitable complications.
'I would prefer not to' (Preview)- 2015
Runtime: 00:00:56
Dimensions: 1280 x 720
Pond Dregs
2014
'Pond Dregs' (Preview) - 2014
Runtime: 00:00:56
Dimensions: 1920 x 1080
The exclusive duck pond located in Folkestone, Kent, lower Radnor Park, held tales of filth and tittle-tattle rumour, enough to warrant intrusion.
A simple excercising of rights are carried out according to what the pond (indirectly) has to offer.